-
untitled (radiators) 2022
oil on canvas, 205 x 55 cm.
-
Laatste licht / Last light, 2022
oil on canvas and chair
-
Ezel / Easel, 2022
wood, laquer, oil paint
90 x 140 x 70 cm.
Ezel / Easel, 2022
wood. laquer, oil paint
100 x 83 x 20 cm.
Ezel / Easel, 2022
wood, laquer, oil paint
90 x 140 x 70 cm.
Ezel / Easel, 2022
wood. laquer, oil paint
100 x 83 x 20 cm.
-
composition # 15, 2021
wool, 160 x 120 cm.
composition # 14, 2022
wool, 110 x 79 cm.
composition # 13, 2022
wool, 90 x 86 cm.
composition # 15, 2021
wool, 160 x 120 cm.
composition # 14, 2022
wool, 110 x 79 cm.
composition # 13, 2022
wool, 90 x 86 cm.
-
Radiators, 2021
oil on canvas, 120 x 107 x 112 cm.
-
Scheiding / Parting, 2020
oil on paper, 50 x 60 cm.
< 200 x 195 cm.
Scheiding / Parting, 2020
oil on paper, 50 x 60 cm.
< 200 x 195 cm.
-
Madonna, 2019
carbon on paper, 50 x 70 cm.
-
Radiator, 2018 - 2021
oil on canvas, series of 20
40 x 150 cm. / 40 x 110 cm. / 40 x 300 cm.
radiator, 2021
oil on canvas, 40 x 110 cm.
Radiator, 2018
oil on canvas, 40 x 150 cm.
Radiator, 2018 - 2021
oil on canvas, series of 20
40 x 150 cm. / 40 x 110 cm. / 40 x 300 cm.
radiator, 2021
oil on canvas, 40 x 110 cm.
Radiator, 2018
oil on canvas, 40 x 150 cm.
-
Study for self-portrait, 2018
Installation, assembled ceiling with punctured ceiling plates (softboard, 60 x 60 cm. each )
Study for self-portrait, 2018
Installation, assembled ceiling with punctured ceiling plates (softboard, 60 x 60 cm. each )
-
Breakfast, 2016
mixed media on canvas, 12 x 10 cm.
courtesy of Luciano Benetton collection imago mundi
Breakfast, 2016
mixed media on canvas, 12 x 10 cm.
courtesy of Luciano Benetton collection imago mundi
-
Golf (Wave), 2016
silkprint (monochrome)
paper, drying frame
Golf (Wave), 2016
silkprint (monochrome) framed, 50 x 65 cm.
Golf (Wave), 2016
silkprint (monochrome)
paper, drying frame
Golf (Wave), 2016
silkprint (monochrome) framed, 50 x 65 cm.
-
untitled, 2016
collage
oil on coated paper
50 x 70 cm.
-
Study for composition # 12, 2015
oil on paper, trestles
Study for composition # 12 arises from a free interpretation of an anamorphosis, using a trestle
oil on canvas, 50 x 60 cm.
Study for composition # 12, 2015
oil on paper, trestles
Study for composition # 12 arises from a free interpretation of an anamorphosis, using a trestle
oil on canvas, 50 x 60 cm.
-
untitled, 2015
oil on canvas, 140 x 130 cm.
-
untitled (studio view) 2015
oil on canvas 141 x 120 cm.
-
Window # 2, 2014
1 slide projection
Original slide
Window # 2, 2014
1 slide projection
Original slide
-
composition # 11, 2014
oil on canvas, 125 x 135 cm.
-
Composition # 10, 2013
oil on canvas, 130 x 135 cm.
-
untitled, 2013
oil on canvas, 90 x 115 cm.
-
Melancholia, 2010
paper, paint, carpet 140 x 125 x 150 cm.
-
untitled, 2009
wood, 212 x 100 x 110 cm.
-
Composition # 4, 2009
oil on canvas on wood, 145 x 130 cm.
The golf ball project (2008)
It was in July of 2008, when I was invited by guest studio Leo XIII in Tilburg, that I saw a work made by my predecessor. Her name was D. This work was a small piece of earth (grass and all) that was placed on a crack on the floor in the guest studio. I was quite intrigued and wanted to use it in my own exhibition the following month. I asked D if were possible. She wanted to know what my plans were and I told her I could put a small golf ball on it, for example. D didn’t mind and the following day I told the entire story to my friend and colleague B. After telling him about my idea he mentioned a work by an Irish artist by the name of S who had exhibited a bronze golf ball that had been stolen from a statue of Bill Clinton from some village in Ireland.
I came upon the idea to try and acquire the golf ball so that I could exhibit it on the small piece of grass that I had lent from D. The gag of giving the golf ball a new context inspired me but getting possession of it proved difficult: the Irish artist S had left Holland for an art residency program in Canada a few days before. Still, I decided to email him and explain my idea. He liked the concept but was hesitant to relinquish the golf ball for the exhibition. I had three weeks before my opening and decided not to give up. S eventually said he would send the ball with a small story about its history and where it had come from. As our email correspondence grew he eventually changed his mind and in the end declined to send it. His final refusal I printed out and crumbled into a tiny ball approximately the size of the bronze golf ball, which I placed on the piece of grass. On the wall space next to it I exhibited 12 pages of our email dialogue. -
The golf-ball project (detail), 2008
crumbled paper on pile of earth and grass
e-mail dialogue with S (for reverance, see link in menu)
The golf-ball project (detail), 2008
crumbled paper on pile of earth and grass
e-mail dialogue with S (for reverance, see link in menu)
-
untitled, 2008
installation
wood, canvas, paint
-
untitled, 2008
photo, 30 x 37 cm.
-
Synthesis, 2008
Assembled wood, 100 x 210 cm.
-
untitled, 2001
installation, mixed media 150 x 145 x 160 cm. A painter's studio scene with disappearing figure and background sound of (classic) portable radio
untitled, 2001
installation, mixed media 150 x 145 x 160 cm. A painter's studio scene with disappearing figure and background sound of (classic) portable radio
-
Op weg naar de Aldi # 1 (The Errant # 1), 2000
photo, 20 x 30 cm.
Op weg naar de Aldi # 2 (The Errant # 2) 2001
photo, 20 x 30 cm.
untitled, 2001
photo, 30 x 45 cm.
Op weg naar de Aldi # 1 (The Errant # 1), 2000
photo, 20 x 30 cm.
Op weg naar de Aldi # 2 (The Errant # 2) 2001
photo, 20 x 30 cm.
untitled, 2001
photo, 30 x 45 cm.